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  4. Zill: Sound, History & How It Works
Struck idiophones

Zill

The zill is a member of the struck idiophones (Hornbostel–Sachs 111.142). Listen to 5 recordings and learn how it makes its sound.

Listen to the zill

Audio Zill small 2
0:48
Audio Zill big 1
0:29
Audio Zill big 2
0:54
Audio Zill small 1
0:25
Audio Zill big 3
0:56

Tip: press play to see the sound's live frequency spectrum in blue over the waveform.

How the zill makes its sound

In the Hornbostel–Sachs system, which classifies instruments by how they produce sound, the zill belongs to the struck idiophones: the body is struck directly – bells, gongs, xylophones and cymbals.

More broadly it is one of the idiophones, where the solid body of the instrument itself vibrates, without strings or a stretched membrane.

Players shape its sound through technique and materials; the resonating body filters the raw vibration, boosting some harmonics and damping others.

From Wikipedia

Zills, zils, or sagat, also known as finger cymbals, are small metallic cymbals used in belly dancing and similar performances. They are similar to Tibetan tingsha bells. In Western music, several pairs can be set in a frame to make a tambourine.

Other names include nuqaisāt (after the naqus) and ṣunnūj ṣaghīra in Arabic, sanj angshati in Persian, zil in Turkish.

Other struck idiophones

Frequently asked questions

What does a zill sound like?

Listen to 5 recordings on this page. As one of the struck idiophones, its sound comes from the way the body is struck directly.

What type of instrument is the zill?

It is classified as struck idiophones (Hornbostel–Sachs 111.142).

Sources & credits