How the binzasara makes its sound
In the Hornbostel–Sachs system, which classifies instruments by how they produce sound, the binzasara belongs to the shaken and scraped idiophones: the body is shaken, scraped or split – rattles, maracas and guiros.
More broadly it is one of the idiophones, where the solid body of the instrument itself vibrates, without strings or a stretched membrane.
Press play above and watch the spectrum: the evenly spaced peaks are harmonics, and their relative strength is what gives the instrument its character.
From Wikipedia
Binzasara (編木 or 板ざさら) is a traditional Japanese percussion instrument used in folk songs, and rural dances. It was originally used as a cleaning tool. The instrument is made up of several wooden plates strung together with a cotton cord, with handles at both ends. Typically, a binzasara will have 108 wooden slats which is a significant number in Buddhism. The stack of wooden plates is played by making them move like a wave.
Other shaken and scraped idiophones
Tambourine
Shaken and scraped idiophones
Maraca
Shaken and scraped idiophones
Music box
Shaken and scraped idiophones
Sistrum
Shaken and scraped idiophones
Angklung
Shaken and scraped idiophones
Jingle bell
Shaken and scraped idiophones
Ratchet
Shaken and scraped idiophones
Güiro
Shaken and scraped idiophones
Frequently asked questions
What does a binzasara sound like?
As one of the shaken and scraped idiophones, its sound comes from the way the body is shaken, scraped or split.
What type of instrument is the binzasara?
It is classified as shaken and scraped idiophones (Hornbostel–Sachs 112.1).
Sources & credits
- Wikidata Q2904003 – CC0
- Wikipedia: Binzasara – CC BY-SA 4.0
- Image by Jason7825 – Public domain