How the vibraslap makes its sound
In the Hornbostel–Sachs system, which classifies instruments by how they produce sound, the vibraslap belongs to the shaken and scraped idiophones: the body is shaken, scraped or split – rattles, maracas and guiros.
More broadly it is one of the idiophones, where the solid body of the instrument itself vibrates, without strings or a stretched membrane.
Players shape its sound through technique and materials; the resonating body filters the raw vibration, boosting some harmonics and damping others.
From Wikipedia
The vibraslap is a percussion instrument consisting of a piece of stiff wire (bent into a U-shape) connecting a wooden ball to a hollow box of wood with metal “teeth” inside. The percussionist holds the metal wire in one hand and strikes the ball (usually against the palm of their other hand). The box acts as a resonating body for a metal mechanism placed inside with a number of loosely fastened pins or rivets that vibrate and rattle against the box. The instrument is a modern version of the jawbone.
Other shaken and scraped idiophones
Tambourine
Shaken and scraped idiophones
Maraca
Shaken and scraped idiophones
Music box
Shaken and scraped idiophones
Sistrum
Shaken and scraped idiophones
Angklung
Shaken and scraped idiophones
Jingle bell
Shaken and scraped idiophones
Ratchet
Shaken and scraped idiophones
Güiro
Shaken and scraped idiophones
Frequently asked questions
What does a vibraslap sound like?
As one of the shaken and scraped idiophones, its sound comes from the way the body is shaken, scraped or split.
What type of instrument is the vibraslap?
It is classified as shaken and scraped idiophones (Hornbostel–Sachs 112.1).